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The three-story house and its furnishings were designed by Charles and Henry Greene in 1908 for David and Mary Gamble of the Procter & Gamble Company. Today, the house is owned by the City of Pasadena and operated by the University of Southern California School of Architecture. Two fifth-year USC architecture students live in the house full-time; the resident students change every year. Movie fans will recognize the house as Doc Brown’s mansion from the Back to the Future movie trilogy. The Gamble House is designated as California Historical Landmark #871 and is listed in the National Register of Historic Places. Known as the "Father of the Port of Los Angeles," Phineas Banning built this historic residence in 1864, several years after he founded the town of Wilmington.
There’s a New Curator at The Charleston Museum!
A curvilinear bay with an entrance and a Palladian window is centered on the north side; on the south side, facing the garden, is a broad, double-tiered piazza. A small curvilinear bay on the east side is balanced by a semicircular double-tiered piazza on the west. The main rooms feature richly decorated mantles, moldings, and door and window frames. The ceiling of the stair hall is embellished with large plaster medallion ornaments. At the south end of the property is a garden temple with a bellcast roof.
City Under Siege
Located at 350 Meeting Street, this antebellum mansion became an early success story for Charleston’s preservation movement when it was saved from destruction in the early 1920s. The Manigault House was designed by gentleman architect Gabriel Manigault for his brother Joseph and built circa 1803. A fine example of a neo-classical urban residence, it stands three stories high, has a hipped slate roof, and is built of brick laid in Flemish bond.
Natural History
By 1920, the property was dilapidated, with planned destruction to make way for a new service station. Frost, seeing the importance of keeping the historical structure intact, planned a meeting focused on saving the house that would lead to the formation of the Society for the Preservation of Old Dwellings. Frost's cousin, Nell Pringle, hosted the meeting, becoming the first vice president of the society.
Guided, one-hour personal tours of the interior are available for $275 (1-2 adults) and $450 (3-4 adults). Diehard fans can indulge in an Eames tradition, a picnic in the house meadow, for $750 (1-4 adults). When she bought 57 Broad Street in 1920, she opened her real estate office full-time, purchasing several houses on what’s now known as Rainbow Row that same year.


In response, a group of Charlestonians organized a preservation group which would become the Preservation Society of Charleston. In the Historic Textiles Gallery, the Museum features regularly rotating exhibits from its rich historic textiles and clothing collection, one of the finest in the southeastern United States. Founded in 1773, The Charleston Museum, America's First Museum, has been discovering, preserving, interpreting, celebrating, and sharing ever since.
A Historical Timeline of America’s First Museum : 1773-2023
Natural light, glass walls, patios and mirrors are hallmarks of the Neutra VDL House. Tours of the property, given by Cal Poly Pomona architecture students, are offered on Saturdays from 11 a.m. The site that is currently known as the Annenberg Community Beach House was originally a five-acre oceanfront property belonging to William Randolph Hearst and his mistress, Marion Davies. The lavish compound was designed in the Georgian Colonial-style by architects Julia Morgan and William Flannery and featured a three-story main house, three detached guest houses, servants' quarters, dog kennels, tennis courts and two swimming pools.
In the '20s, though, the neighborhood was derelict and slated for demolition. Frost bought six of the homes, which used to belong to merchants who ran shops on the first floor, planning to restore them at a later date. She was never able to raise the funds, though, and ended up selling them to Judge Lionel Legge and his wife, Dorothy, who began the rainbow color scheme by painting their own home pastel pink. There are currently no restrictions on paint colors, but any color changes to the homes on Rainbow Row have to be approved by the city's Board of Architectural Review. The result was an antebellum masterpiece, with a towering spiral staircase wrapped around a crystal chandelier, a classic Gate Temple, and a number of outbuildings, including a kitchen, stable, pivy, and slave quarters.
Celebrate women’s history with special Charleston Museum tours - Live 5 News WCSC
Celebrate women’s history with special Charleston Museum tours.
Posted: Fri, 01 Mar 2024 08:00:00 GMT [source]
Category:Houses in Los Angeles
He amassed a fortune in America, thanks to his prosperous rice plantations. Thanks to the efforts of a group of Charlestonians, the property was saved. In 1949, the Charleston Museum inherited the house, and over the years has meticulously renovated the historic building. Manigault's executor sold the house in 1852 to George N. Reynolds, Jr., before it was passed onto John S. Riggs in 1864.[4] In 1920, the house was threatened with demolition to make way for a gas station.
At Frost's urging, Pringle and her husband, Ernest, underwrote the purchase of the Manigault House. Though the society was formed because of the home, it didn't help much with the Manigault restoration costs. Pringle was forced to sell her family's bank stock and open the house for fundraising teas, charging 25 cents per cup. Pringle and the society owned it for two years before selling it to the Esso Standard Oil Company; the mortgage payments made it impossible for Pringle to keep it.
County at 56,500 square feet, or more than an acre of living space. The number has since been trumped by multiple spec mansions, including one in Bel-Air that clocks in at 105,000 square feet. In 2019, the Manor pushed Southern California’s luxury real estate market to new heights when it sold for $119.75 million. On East Bay Street, in the northeast corner of South of Broad, a row of pastel painted townhomes has been a landmark in Charleston since the 1930s.